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11-11-2012, 15:50
Section: Piano Pedia
Frank La Forge (Rockford, Illinois, October 22, 1879 – New York, New York, May 5, 1953) was an American pianist and composer and arranger of art songs.

Life and musical career
La Forge was a boy soprano, famous in his hometown of Rockford, Illinois. He first studied piano with his older sister, and went to Vienna in 1900 to study with Theodor Leschetizky. In the following years he toured Europe, Russia, and the United States as an accompanist to Marcella Sembrich. He moved to New York City in 1920, where he became a music teacher, coach, and accompanist. He died at the piano, performing at a Musician's Club dinner.
La Forge accompanied many important opera singers, including Marcella Sembrich, Ernestine Schumann-Heink, Lily Pons, Johanna Gadski and Lucrezia Bori. He taught a number of important American singers, including Marian Anderson, Lawrence Tibbett, Marie Powers, and Richard Crooks. In performance he usually accompanied entirely from memory, considered an unusual feat for an accompanist. His biography in Pathways of Song claimed that he had 'a repertoire of over five thousand memorized accompaniments embracing all schools'.
The Victor record catalog is full of examples of his playing, with amongst others Edmond Clément, Marcella Sembrich and Lucrezia Bori. Unlike its British/European "Sister-Company" (The Gramophone Company later HMV), Victor had, in Frank La Forge, an adept accompanist for its first recordings of Enrico Caruso in 1904; La Forge's accompaniment is accurate, thoughtful and spirited. The Gramophone Company (and therefore Caruso) kept faith (even for their early celebrity issues) with one Salvatore Cottone; perhaps one of the most incompetent pianists committed to wax.
La Forge recorded a number of piano solos, as well as two works accompanying at the organ in 1912, 'Berceuse' and 'Le Cygne' (most likely the famous work by Saint-Saëns) with 'cellist Gutia Casini. Frank La Forge

Musical works
La Forge composed around 40 songs for voice and piano in the years between 1906 and 1940, as well as a few piano solos, choral works, and at least one solo for violin and piano. Some of the songs are sacred, and most were published individually by G. Schirmer, while a few have been reissued in various song anthologies and collections of American art songs from the same publisher. Many of his early songs were composed to German texts and modeled on the German Lied. Later songs were composed in the more accessible 'concert ballad' style, which was quite popular at the time. Many were written for specific singers to show off their individual talents.
The songs are known for their craftsmanship, full piano accompaniments, and tasteful musical style. His 1919 piece Song of the Open was highlighted by Upton as representative of American song from the era 1900-1930.
He was also a highly successful arranger of folksongs; Villamil mentions 'an excellent set of Mexican folk songs'. Perhaps more significant was his work as an important compiler of songs for students, in the collection of several volumes he created with Will Earhart, the Pathways of Song.

Published secular songs
• The Butterfly (Der Schmetterling)
• By the Lake
• Camp Meetin' Song (text by La Forge), Carl Fischer, 1952
• Come Unto These Yellow Sands (Shakespeare), 1907
• Contemplation
• The Coyote
• Expectancy (Erwartung)
• Far Away
• Hidden Wounds (Verborgene Wunden)
• Hills (Arthur Guiterman), G. Ricordi, 1925
• How Much I Love You (Wie lieb ich dich hab')
• I Came with a Song (Elizabeth Ruggles), 1914
• I Love But Thee!
• In Evening Stillness (In der Abendstille)
• In Pride of May
• Like the Rosebud (Avec une ruse), 1906
• The Lovely Rose
• May's Coming (Frühlingseinzug)
• My Love and I
• Pastorale (John Milton), Galaxy Music, 1932
• Reawakening (Widererwachen)
• Retreat (Schlupfwinkel) (Princess Gabriele Wrede; English translation), 1906
• Serenade
• Song of the Open (Jessica H. Lowell), Ditson, 1919
• Spooks (Spuk)
• Take, O Take Those Lips Away (Shakespeare)
• To a Messenger (An einem Boten) (Princess Gabriele Wrede; English translation), 1909
• To a Violet
• To One Afar
• Vale Carissima
• Voodoo Spirits (Della Hayward), Carl Fischer, 1946
• When Your Dear Hands
• Wherefore? (Wozu?)

Published sacred songs
• And there were shepherds abiding in the fields, Carl Fischer, 1938
• Before the Crucifix (Dinanzi al crocifisso) (Princess Gabriele Wrede; English version by Robert Huntington; Italian version by Paolo Rusca), 1912
• Bless the Lord (Psalm 103), Carl Fischer, 1933
• But the Hour Cometh
• Hast Thou Not Known
• Make a Joyful Noise, Carl Fischer, 1938
• O Sing Unto the Lord
• The Shephard
• Supplication (Minnie K. Breid), Flammer, 1918
• Teach Me, O Lord, Carl Fischer, 1938
• Trust in the Lord

Published piano solos
• Etude for sostenuto pedal, for piano, Carl Fischer publisher, 1943
• Gavotte
• Gavotte and Musette
• Improvisation
• Romance, 1911
• Souvenir de Vienne
• Valse de Concert, 1912

Published choral works
• First Psalm, SATB or TTBB a cappella

Published instrumental solos
• Romance, violin and piano

Arrangements and editing
• Echo Song by Henry Bishop, transcribed for voice, flute and piano by La Forge, Schirmer, 1940
• Fledermaus Fantasy, excerpts from Die Fledermaus by Johann Strauss II, transcribed for voice, flute and piano by La Forge, Schirmer, 1943
• Little swallow (O légère hirondelle), waltz song from Mireille by Charles Gounod, transcribed for voice, flute and piano by La Forge, Schirmer, 1942
• Love-Tide of Spring (La primavera d'or) by Alexander Glazunov, transcription for voice and piano, Schirmer, 1913
• Menuet Varié (Minuet with variations), anonymous 18th c. French work, transcribed for voice, flute and piano by La Forge, Schirmer, 1940
• Mexican Songs for voice and piano, arranged and translated by La Forge, G. Ricordi publisher:
1. Pregúntales á las Estrellas (O ask of the stars, beloved), Mexican folk-song, 1922
2. Crepuscúlo (Twilight), Mexican folk-song, 1922
3. El Céfiro (The Zephyr), Mexican folk-song, 1922
4. La Paloma (The Dove) by Sebastián Yradier, 1922
5. La Golondrina (The Swallow), Mexican folk-song, 1922
6. En Cuba (Cuban Song) by Eduardo Sánchez de Fuentes, 1923
7. Estrellita (Little Star) by Manuel Ponce, 1923
8. Yo paso la Vida (In Sorrow and Sighing) by Jose Islas, 1926
• On the beautiful blue Danube by Johann Strauss II, transcribed for voice and piano by La Forge, G. Ricordi, 1928
• Pathways of Song, compiled, arranged, translated and edited by Frank LaForge and Will Earhart, M. Witmark publisher, 1938
• Tales from the Vienna Forest by Johann Strauss II, piano solo transcribed for voice and piano by La Forge, Schirmer, 1912[11]

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